Janine Antoni (b. 1964) lives and works in New York, NY. Antoni received a Bachelor of Arts degree in 1986 from Sarah Lawrence College in Bronxville, NY. She then received a Masters of Fine Arts in 1989 form Rhode Island School of Design in Providence, RI.
Antoni is a recipient of the 2014 Anonymous Was A Woman, the 2014 Project Grant (in collaboration with the Fabric Workshop and Museum), The Pew Center of Arts & Heritage, Philadelphia, PA; the 2012 Creative Capital Grant; the 2011 John Simon Guggenheim Memorial Foundation Award; the 2004 Artes Mundi, Wales International Visual Art Prize (nominee); the 1999 New Media Award, ICA Boston, MA; the 1999 Larry Aldrich Foundation Award; the 1998 MacArthur Fellowship; the 1998 Joan Mitchell Foundation, Inc. Painting and Sculpture Grant; and the 1996 IMMA Glen Dimplex Artists Award.
Antoni has exhibited at numerous major institutions including the Whitney Museum of American Art, New York; Museum of Modern Art, New York; San Francisco Museum of Modern Art; The Mattress Factory, Pittsburgh; the Hirshhorn Museum and Sculpture Garden, Washington, DC; The Reina Sofia, Madrid, Spain; The Irish Museum of Modern Art, Dublin; Magazsin 3 Handelshögskolan, Stockholm; Haywood Gallery, London, Sammlung Goetz, Munich, Germany. She has also been represented in several international biennials such as the Whitney Biennial; Venice Bienialle; Johannesburg Biennial; Kwangju Biennial, South Korea; Istanbul Biennial; S.I.T.E. Santa Fe Biennial: Project 1 Biennial, New Orleans; and Kochi-Muziris Biennale, India.
Selected public collections include Astrup Fearnley Museet for Moderne Kunst, Oslo, Norway; Art Institute of Chicago, Chicago, IL; Guggenheim Museum, New York, NY; Hirshhorn Museum and Sculpture Garden, Washington DC; The Israel Museum, Jerusalem, Israel; Magasin 3 Stockholm Konsthall, Stockholm, Sweden; MoMA, New York, NY; The Museum of Contemporary Art, Los Angeles, CA; Sammlung Goetz, Munich, Germany; The San Francisco Museum of Modern Art, San Francisco, CA; The New Museum, New York, NY; and The Whitney Museum of American Art, New York.
When invited to create a retrospective of her sculptural works, Janine Antoni preferred to ask herself what her works would look like when interpreted by other artists and translated into movement. Together with the choreographers Anna Halprin and Stephen Petronio, Antoni created unique performance artworks whose main focus is corporeality, revealing the enormous potential that lies in the combination of sculpture and dance. Published in cooperation with the Fabric Workshop and Museum, Philadelphia, and featuring critical essays by a diverse array of writers and art theorists—including feminist philosopher Hélène Cixous—ALLY shows how these artists have worked together to create a new pictorial language.
ALLY: Janine Antoni, Anna Halprin, Stephen Petronio published in cooperation with the Fabric Workshop and Museum, Philadelphia.
Available for sale on 15 February 2018.
Janine Antoni is included in the group exhibition Wanderlust, at the University of Buffalo Art Galleries.
One of the largest and most ambitious contemporary art exhibitions ever presented by the UB Art Galleries, “Wanderlust” questions and explores the complex nature of artists as voyagers — those who leave their studio to create work outside of the confines of four walls. It is a comprehensive survey of the artist’s need to roam and the work that emerges from this need.
Artwork ranges from drawing, photography, sculpture, installations, film and video to performance and social practice taking place in both urban and rural landscapes, and include works that are narrative, political, performative, and conceptual examples of contemporary art.
Janine Antoni is included in the group exhibition No Place Like Home, at the Israel Museum.
In No Place Like Home, the Museum’s galleries are transformed into a domestic interior displaying artworks inspired by everyday household objects, inviting the visitor to reflect on the representation of the domestic realm in modern and contemporary art. In celebration of Dada’s 100th anniversary in 2016 and the centennial of Duchamp’s Fountain in 2017, the exhibition examines how artists have incorporated commonplace household items into their work, removing them from the context of the home in ways that subvert the mundane experiences of daily life. Featuring works by artists including Marcel Duchamp, Man Ray, Claes Oldenburg, Andy Warhol, Martha Rosler, Louise Bourgeois, Mona Hatoum, and Ilit Azoulay, the exhibition reexamines the concepts negotiated in the domestic sphere, including gender roles, memory, nostalgia, and questions of place and displacement.
Janine Antoni is included in the group exhibition, The Intersectional Self, at the 8th Floor.
The Intersectional Self, an exhibition centered on gender and feminist politics in the age of trans-identity, features the work of artists Janine Antoni, Andrea Bowers, Patty Chang, Abigail DeVille, Ana Mendieta, Catherine Opie, Adrian Piper, Genesis Breyer P-Orridge, Cindy Sherman, and Martha Wilson. The exhibition both explores how notions of femininity (and alternately, masculinity) have shifted in the context of newly defined gender identities and how family structures have been reimagined and reshaped through relatively recent advances in reproductive medicine and evolving gender roles. Ultimately, The Intersectional Self examines how feminism in its many forms has changed the world as we know it.
Janine Antoni/Stephen Petronio: Entangle presents three works that combine action, video, and installation. Rope Dance, On the Table, and Honey Baby explore a range of ongoing multidisciplinary collaborations, which the artists began more than three years ago, setting out to blur the lines between artist, dancer, choreographer, and audience. Each offering has one element in common—a wooden floor—that frames different activities understood through the body.
Antoni and Petronio, who emerged from the worlds of visual art and dance respectively, will be in residence at Skidmore College as the 2016-17 Don and Judy McCormack Endowed Visiting Artist-Scholars. The artists will visit campus from March 1 to 4 and April 3 to 7 to engage with students, faculty, and the public. Public talks will be at 5:30 pm March 2 and 7 pm April 6, both at the Tang Teaching Museum.
Janine Antoni is included in Anguish: The Grave Misgivings of Remembrance at the Institute of Contemporary Art, Maine College of Art
Curated by Cynthia Nourse Thompson, associate professor and director of the MFA programs in Studio Art and Book Arts + Printmaking at the University of the Arts in Philadelphia. Anguish: The Grave Misgivings of Remembrance is a visceral portrait of isolation, desire and remorse. Removed from the shadows, a collection of international artists present a visual dialogue that is strikingly raw and at the surface of our emotional armature—one that we work diligently to prevent illuminating.
Janine Antoni will be included in This Is a Portrait If I Say So: Identity in American Art, 1912 to Today at Bowdoin College Museum of Art, 25 June - 23 October 2016.
With a title that plays on Robert Rauschenberg´s infamous 1961 portrait of Iris Clert–a telegram that simply states, “This is a portrait of Iris Clert if I say so,”–this groundbreaking exhibition examines the rise and evolution of symbolic, abstract, and conceptual portraiture in modern and contemporary American Art.
The Fabric Workshop is pleased to present Janine Antoni: Ally, 21 April through 31 July 2016.
Instigated by visual artist Janine Antoni in collaboration with preeminent choreographer, theatre, and community artist Anna Halprin and pioneer choreographer Stephen Petronio, Ally is a series of works combining sculpture, installation, film, and performance. These works are being created through the Artist-in-Residence Program of The Fabric Workshop and Museum and will premiere at the institution in April 2016.
In Ally, Antoni pursues her interest in bodily presence, touch, and movement. Through a series of unique collaborations with Halprin and Petronio, the trio investigates the translation of ideas across forms and the vast potential that lies in their relations. The encounter between these artists from distinct practices and generations becomes a means of unearthing unknown affinities and historical entwinements. In alliance the artists forge a new visual language of tactile material held within processes of transformation.
Janine Antoni will be included in Unfinished: Thoughts Left Visible at the Metropolitan Museum of Art, 18 March – 4 September 2016.
This exhibition examines a subject critical to artistic practice: the question of when a work of art is finished. Beginning with the Renaissance masters, this scholarly and innovative exhibition examines the term "unfinished" in the broadest possible way and includes works left incomplete by their makers, which often give insight into the process of their creation, as well as those that partake of a non finito—intentionally unfinished—aesthetic that embraces the unresolved and open-ended. Some of history's greatest artists explored such an aesthetic, among them Titian, Rembrandt, Turner, and Cézanne. The unfinished has been taken in entirely new directions by modern and contemporary artists, among them Janine Antoni, Lygia Clark, Jackson Pollock, and Robert Rauschenberg, who alternately blurred the distinction between making and unmaking, extended the boundaries of art into both space and time, and recruited viewers to complete the objects they had begun.
Janine Antoni, Donald Moffett and Gary Simmons will be included in Come As You Are: Art of the 1990s at the Blanton Museum of Art.
Come As You Are: Art of the 1990s is the first major American museum survey to historicize the art of this pivotal decade. The exhibition showcases approximately 60 works in a diverse range of media by 45 artists including Janine Antoni, Donald Moffett, Byron Kim, Felix Gonzalez-Torres, Nikki S. Lee, Fred Wilson and Kara Walker. The exhibition offers an overview of art made in the United States between 1989 and 2001—from the fall of Communism to 9/11—and is organized around three principle themes: the so-called “identity politics” debates; the digital revolution; and globalization. Its title refers to the 1992 song by Nirvana (the quintessential 90s band); moreover, it speaks to the issues of identity that were complicated by the effects of digital technologies and global migration. The artists in the exhibition made their initial “point of entry” into the art historical discourse during the 1990s and reflect the increasingly heterogeneous nature of the art world during this time when many women artists and artists of color attained unprecedented prominence.
Janine Antoni is included in Introspective, a show of artists' self portraits at BravinLee, 4 February - 19 March 2016.
The third installment of SITE’s 20th Anniversary series will include installations by Janet Cardiff and George Bures Miller, Jim Hodges, Susan Silton. Projects by Ann Hamilton and Janine Antoni with Stephen Petronio have been extended to run through Jan. 3, 2016.
SITE presents Honey Baby, a collaboration between Janine Antoni and the choreographer Stephen Petronio. This work is the second collaboration between Antoni and Pertronio, the first being Like Lazarus Did (2013), a dance and live art-installation. Honey Baby is a fourteen-minute video inspired by motion in utero, exploring the unique relationship between subject and host.
18 July - 4 October 2015
Fluent~Collaborative & testsite are pleased to present incubator, a collaboration between visual artist Janine Antoni and choreographer Stephen Petronio that prompts the conversation between sculpture and dance. Curated by Louis Grachos and Andrea Mellard, the presentation at testsite will feature site-specific installations, video work, sculpture, and photography. The exhibition is co-organized by testsite and The Contemporary Austin and opens at testsite on Sunday, May 3rd with a public reception from 4 to 6 pm and an artists-curators talk at 4:30 pm.
Sunday 3 May 2015.
From the Vow Made is a solo exhibition by Janine Antoni presented at Luhring Augustine. The show includes a collection of seven sculptural works and a video collaboration with choreographer, Stephen Petronio.
For the past seven years, Antoni has turned to dance and movement for her inspiration. She has engaged in several somatic movement practices to further her exploration into what it means to live from an embodied place. These new works emerge from her somatic revelations and her study of milagros, sculptural votive offerings used in latin cultures. Ranging from body parts to domestic objects, milagros are often hung in churches as symbols of things in life requiring prayer, healing and protection. Antoni’s milagros are prayers for embodiment.
21 March - 25 April 2015
Anthony Meier Fine Arts is proud to announce that Janine Antoni and The Fabric Workshop and Museum (FWM) in Philadelphia are the recipients of a 2014 grant from The Pew Center of Arts & Heritage. FWM has been awarded a grant for the production of Ally: a piece Antoni conceived of as a collaboration with pioneering choreographers Anna Halprin and Stephen Petronio. Ally will be a performance-as-exhibition that will include the dancing body and malleable environments.
Janine Antoni will be included in Home Truths: Photography, Motherhood and Identity, an exhibition at The Photographers' Gallery exploring representations of motherhood through the works of eight contemporary artists.
11 Oct 2013 - 5 Jan 2014
The Mattress Factory is pleased to present Janine Antoni, a solo exhibition featuring new work by Antoni that explores the human condition while speaking directly to the viewer’s own body.
12 September 2013 - 30 March 2014.
Janine Antoni collaborates with Stephen Petronio Company for the world premiere of Like Lazarus Did. Collaborators include composer Son Lux, performing live with members of yMusic; The Young People's Chorus of New York City (Francisco Núñez, Director); visual artist Janine Antoni; and lighting designer Ken Tabachnick.
30 April – 5 May 2013
The Joyce Theater
175 Eighth Avenue at 19th Street NYC