Teresita Fernández (b. 1968) lives and works in New York, NY. Fernández received a Bachelor of Fine Arts degree in 1990 from Florida International University, Miami, FL and a Masters of Fine Art degree in 1992 from Virginia Commonwealth University, Richmond, VA.
Fernández was appointed to U.S. Commission of Fine Arts in 2011 and is the recipient of the 2005 MacArthur Foundation Fellowship; the 2003 Guggenheim Fellowship, New York, NY; the 1999 Louis Comfort Tiffany Biennial Award; the 1999 American Academy in Rome, Affiliated Fellowship; the 1998 ArtPace International Artist-in-Residence Program, San Antonio, TX; the 1997 Marie Walsh Sharpe Foundation, The Space Program, New York, NY; the 1997 ARCUS Project, Moriya, Japan; the 1995 National Foundation for Advancement in the Arts, CAVA Fellowship; the 1995 Metro-Dade Cultural Consortium Grant; the 1994 NEA Individual Artist's Grant, Visual Arts, and the 1994 Cintas Fellowship.
Fernández has had domestic and international exhibitions at Almine Rech, London, UK; Anthony Meier Fine Arts, San Francisco, CA; Artpace, San Antonio, TX; Berkeley Art Museum/Matrix, Berkeley, CA; Beverly Reynolds Gallery, Richmond, VA; Blanton Museum, Austin, TX; Castello di Rivoli, Turin, Italy; Centro de Arte Contemporáneo de Málaga, Spain; Contemporary Art Museum, University of South Florida, Tampa, FL; The Corcoran Gallery of Art, Washington, DC; Dallas Museum of Art, Dallas, TX; Deitch Projects, New York, NY; Fabric Workshop and Museum, Philadelphia, PA; Galeria Helga de Alvear, Madrid, Spain; Galleria in Arco, Turin, Italy; Grand Arts, Kansas City, MO; Helga de Alvear, Madrid, Spain; Institute of Contemporary Art, Philadelphia, PA; Kyoto University of Art and Design, Kyoto, Japan; James Kelly Contemporary, Santa Fe, NM; Madison Square Park Conservancy, New York, NY; Masataka Hayakawa Gallery, Tokyo, Japan; Lehmann Maupin Gallery, Hong Kong; Lehmann Maupin Gallery, New York, NY; Massachusetts Museum of Contemporary Art, North Adams, MA; Miami Art Museum, Miami, FL; MOCA, North Miami, FL; Modern Art Museum of Fort Worth, TX; Museum of Contemporary Art, Cleveland, OH; Museum of Contemporary Art, Miami, FL; Public Art Fund commission, Madison Square Park, New York, NY; SCAD Galerie Pfriem, Lacoste, France; Site Santa-Fe, Santa Fe, NM;
Selected public collections include American Friends of the Israel Museum, New York, NY; Albright-Knox Gallery, Buffalo, NY; Benesse Art Site, Naoshima, Japan; Blanton Museum of Art, Austin, TX; Collection Patricia Phelps de Cinsneros, New York, NY; Mr. and Mrs. Jerral Jones, Dallas Cowboys Stadium, Dallas, TX; Israel Museum, Tel Aviv (Purchased with funds from American Friends of Israel Museum); Linda Pace Foundation, San Antonio, TX; LVMH Collection, Paris, France; Miami Art Museum, FL; Modern Art Museum of Fort Worth, Fort Worth, TX; Museum of Modern Art, New York, NY; Museum of Contemporary Art, Chicago, IL; Nasher Sculpture Center, Dallas,TX; Nerman Collection, Leakwood, KS; Olympic Sculpture Park, Seattle Art Museum, Seattle, WA; Pennsylvania Academy of the FIne Arts, Philadelphia, PA; Pizzuti Collection, Columbus, OH; Progressive Art Collection, Mayfield, OH; Sammlung Goetz, Munich, Germany; San Francisco Museum of Modern Art, San Francisco, CA; Saint Louis Art Museum, St. Louis, MO; Smithsonian American Art Museum, Washington, D.C.; Speed Art Museum, Louisville, KY; Sprint Art Collection, Overland Park, KS; Walker Art Center, Minnapolis, MN.
In connection with her public installation in Harvard Yard this fall, Autumn (...Nothing Personal), artist Teresita Fernández will discuss her practice and ongoing research for this major commission by the Harvard University Committee on the Arts. This event will take place on Thursday, 20 September 2018 from 6:00 to 7:30pm at Harvard Art Museums.
On view August 27 through October 1, 2018, Autumn (. . . Nothing Personal) is a site-specific work built for Tercentenary Theatre in Harvard Yard. The title references James Baldwin’s 1964 text Nothing Personal, which was published as a collaborative book with photographer Richard Avedon at the height of the civil rights movement. Fernández’s project centers Baldwin’s text as a collective reading and asks members of the Harvard and local communities to use the sculpture as a social space to read, perform, gather, and debate.
The Harvard University Committee on the Arts is pleased to present Autumn (...Nothing Personal), a site-specific work built by Teresita Fernández for Tercentenary Theatre in Harvard Yard. The installation will be on view from 27 August - 1 October 2018.
The title references James Baldwin's 1964 text Nothing Personal, which was published as a collaborative book with photographer Richard Avedon at the height of the civil rights movement. Fernández's project centers Baldwin's text as a collaborative reading and asks members of the Harvard and local communities to use the sculpture as a social space to read, perform, gather, and debate.
Lehmann Maupin is pleased to present Rise and Fall, an immersive installation of recent works by Teresita Fernández. For the artist’s second Hong Kong exhibition, Fernández will debut 24 solid graphite and pencil landscapes as an immersive installation. The relief panels, depicting the rise and fall of the tide and shifting horizon lines, are densely arranged on graphite-colored walls where Fernández has extended the blue-hued images by drawing directly on the wall surface. The result is a site-specific installation with thousands of blue horizon lines that rise and fall, surrounding the viewer. The title of the show, Rise and Fall, is also a reference to how this term is used to describe the rhythm and swinging pendulum of power and social movements throughout history.
October 26 – December 16, 2017
Teresita Fernández is included in the group exhibition From a whisper to a scream, at Lehmann Maupin.
Lehmann Maupin is pleased to present From a whisper to a scream, a group exhibition featuring work by Teresita Fernández, Jeffrey Gibson, and Shirazeh Houshiary. The artists in this exhibition all draw from the visual vocabulary of Minimalism in their use of industrial materials, deliberate restriction of form, and engagement of physical space, but do so in order to communicate social, political, and cultural meaning in a way that the 1960s movement always resisted. Through painting and sculpture, each artist transforms this typically self-referential genre into one that speaks as loudly as narrative imagery.
The Olana Partnership is pleased to announce the 2017 featured exhibition, “OVERLOOK” a groundbreaking installation by Artist Teresita Fernández. Working with Guest Curator Sara Meadows, Fernández draws from the Colección Patricia Phelps de Cisneros (CPPC) and the Olana Collection to reexamine Frederic Church and his contemporaries’ response to the cultures and landscapes experienced during their Latin American travels. “OVERLOOK” features The Olana Partnership’s largest loan exhibition in the Sharp Family Gallery with 55 works from CPPC including “Penetrable” by Jesus Rafael Soto which will be sited within Olana’s designed historic landscape and 18 site specific works by Fernández. Visitors will have the opportunity to explore Fernández’s response and draw their own conclusions through this thought provoking site-specific installation.
Lehmann Maupin is pleased to announce Fire (America), an exhibition of new works by Teresita Fernández. The exhibition will debut a 16-foot glazed ceramic wall panel depicting a nocturnal landscape engulfed in flames, as well as a new series of abstract landscapes made from burned paper. In addition, Fernández will create an immersive, 100-foot panoramic drawing on site comprised of built-up, dimensional layers of solid charcoal applied directly to the gallery’s walls. Titled Charred Landscape (America), the installation will circumnavigate the gallery, surrounding visitors, and dissolving into the white walls.
Teresita Fernández in included in the group exhibition Beyond the Horizon at the Cameron Art Museum.
Contemporary artists Teresita Fernández; Maya Lin; Jason Mitcham and Colby Parsons explore unearthing human interaction with the landscape.
Teresita Fernández is included in A Material Legacy: The Nancy A. Nasher and David J. Haemisegger Collection of Contemporary Art at Princeton University Art Museum.
The exhibition is drawn entirely from the Nancy Nasher and David Haemisegger Collection and marks the first time that selections from the collection have been on public view.
The innovative use of materials by many of the most exciting artists working today is the subject of an illuminating exhibition of approximately of 35 large-scale works that offer a real-time glimpse into the varied practices of artmaking over the last decade. The artists included are the descendants of avant-garde artists who emerged a century ago and embraced industrial metals, manufactured objects and other nontraditional materials in the creative process.
Teresita Fernández’s Night Writing (Wittelsbach Graff), 2011 will be included in Touch the Sky: Art and Astronomy, curated by Mary Kay Lambino, at Lehman Loeb Art Center at Vassar College, 29 April – 21 August.
As a part of the Unscripted Bal Harbour Art Chat Series, Teresita Fernández will be in dialogue with Pérez Art Museum Miami (PAMM) director Franklin Sirmans at The St. Regis Bal Harbour Resort, FL on Thursday, April 28 at 6:30 pm.
RSVP by 20 April to email@example.com.
Art in General is proud to announce the selection of renowned contemporary artist Teresita Fernández as the recipient of the 2016 Visionary Artist Award.
Lehmann Maupin is pleased to present a solo exhibition of new works by Teresita Fernandez. Fernández’s seventh solo exhibition with Lehmann Maupin, coinciding with her monumental sculptural installation Fata Morgana, currently installed in Madison Square Park in New York, showcases her newest sculptural works—intimate interior landscapes in concrete, cast bronze, and highly-detailed glazed ceramic.
Mad. Sq. Art, the free, contemporary art program of Madison Square Park Conservancy, proudly presents Fata Morgana by New York-based artist Teresita Fernández, the Conservancy’s largest and most ambitious outdoor sculpture to date. The outdoor sculpture, which will consist of 500 running feet of golden, mirror-polished discs that create canopies above the pathways around the Park’s central Oval Lawn, will be on view in Madison Square Park beginning June 1, 2015.
Fata Morgana opens at Madison Square Park 1 June 2015, rain or shine - 5:30 - 7:30pm.
Madison Square Park Conservancy and acclaimed artist Teresita Fernández today announced details regarding Fata Morgana, a major public art installation in Madison Square Park to be on view April 30, 2015 – January 10, 2016. The outdoor sculpture, the largest and most ambitious ever mounted by Mad. Sq. Art, the free contemporary art program of the Madison Square Park Conservancy, will consist of 500 running feet of golden, mirror-polished discs that create canopies above the pathways around the park’s central Oval Lawn.
30 April 2015 - 10 January 2016
Teresita Fernández will be included in Piece by Piece: Building a Collection at the Kemper Museum of Contemporary Art. Piece by Piece: Building a Collection, explores a selection of 32 objects by 25 national and international artists that evoke meditations on process, pattern, and material. Together the works engage with themes of abstraction, the body and gesture, race and politics, as well as landscape and geography; ultimately coalescing into the distinguished vision and influence of the collector in the building and shaping of a unique collection.
30 January – 26 April 2015
Kyoto University of Art & Design will present the exhibition 'Nishijin Sky : Teresita Fernández + HOSOO.' For Nishijin Sky, Fernández created a luminous golden landscape that recalls a horizon of rising and falling water surrounded by an atmospheric darkness reminiscent of cinematic dissolves and film projections. To interpret this image, Masataka Hosoo invented a weaving machine in order to present Fernández’s image as a kinran-donsu textile (thick brocaded satin), transforming it into a free-standing landscape sculpture that can be viewed from all sides. The result is a meeting of contemporary art and traditional craft.
2 October 2014 to 16 January 2015
The Trustees of The Linda Pace Foundation announce an artist talk by Teresita Fernández, a renowned contemporary artist whose work has been exhibited both nationally and internationally, at 11AM, Saturday, September 6, 2014 at SPACE. The talk is free and open to the public.
During her talk, Fernández, a 2005 MacArthur Foundation Fellow and recipient of many prestigious works, will reflect on her new works, including her recent show at Massachusetts Museum of Contemporary Art, “As Above So Below,” a large-scale exhibition in which Fernandez combined graphite and gold to make a series of immersive, interconnected installations. Twin, a work created by Fernández in 2002 and owned by the Linda Pace Foundation, is part of the PACE GEMS exhibition currently on display in SPACE.
11AM, Saturday, 6 September 2014
Teresita Fernández’s latest solo show of new work As Above So Below, opening at MASS MoCA on May 24, 2014, combines graphite and gold to create a series of immersive, interconnected installations whose scale shifts from intimate to vast, from miniature to panoramic.
Opening 24 May 2014
Lehmann Maupin is honored to open it’s fall season in Hong Kong with the first solo show in China of acclaimed American artist Teresita Fernández, whose conceptual, experiential works are often characterized by an interest in perception and the psychology of looking.
12 September – 9 November 2013
Teresita Fernandez and Tam Van Tran will be included in the group exhibition Pattern: Follow the Rules at Eli and Edythe Broad Art Museum at Michigan State University.
22 March - 23 June 2013
The Aspen Art Museum is proud to announce the selection of
renowned contemporary artist Teresita Fernández as the recipient of the museum’s 2013 Aspen Award for Art.