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Anthony Meier Fine Arts is pleased to announce an exhibition of new sculpture
by Polish artist Miroslaw Balka. His first San Francisco appearance follows
many international venues, such as Documenta and the Venice Biennale
(representing Poland, 1993). Balka's work can be seen in public and private
collections worldwide, including the San Francisco Museum of Modern Art.
Miroslaw Balka was born in Poland in 1958. Raised a Catholic in Socialist
Poland, Balka grew up in Otwock, a small town outside Warsaw where his father
was an engraver and his grandfather a stonecutter. Balka continues the
family sculpture tradition, albeit using materials such as paper, metal,
leather and salt that are often much more fragile and less durable than
stone.
Understanding Balka's background is an important component in understanding
his work. Transforming humble substances into symbols of human experience,
Balka uses materials with a strong personal significance and scales his
structures to his physical dimensions or the geometry of his childhood home
in Otwock (which he now uses as a studio). These allusions to the traces of
life, the passage of time and place and memory are the cornerstones of
Balka's installations.
The seven elements that comprise Still speak to this meditation on memory and
loss. A pile of leather medicine balls, alluding to high school gym class,
is stacked to Balka's exact height. A steel circle holding an empty glass,
twisted and fixed to the wall, hangs so that the glass is at the exact level
of his mouth. A round platform covered in salt rotates counterclockwise, the
salt symbolizing the sweat and tears left by trying to turn back time.
There is an underlying personal reminiscence to the pieces in Still.
Illustrative of the exhibition title, the work in the show is both quiet and
meditative but has a demonstrative presence by the simple fact that it
continues to exist.
Gallery Hours: Tuesday - Friday 11am-5pm
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