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ALT="Larry Bell  DECONSTRUCTED CUBE SS (Emerald / Spa / Sunflower), 2020  Laminated glass coated with stainless steel and titanium oxide"

Larry Bell

DECONSTRUCTED CUBE SS (Emerald / Spa / Sunflower), 2020

Laminated glass coated with stainless steel and titanium oxide

2 Rectangle panels Emerald

2 Triangle panels Emerald glass 12 x 12 x 1/4 inches

2 panels Spa glass 12 x 12 x 1/4 inches

2 panels Sunflower 12 x 12 x 1/4 inches

Overall: 16 x 16 x 12 inches

ALT="Larry Bell  TRIOLITH-C (Lapis / Sea Salt / Blush) C, 2020  Laminated glass coated with inconel and silicon monoxide"

Larry Bell

TRIOLITH-C (Lapis / Sea Salt / Blush) C, 2020

Laminated glass coated with inconel and silicon monoxide

1 Lapis rectangle 12 x 12 inches

1 Blush triangle 12 x 12 inches

1 Sea Salt triangle 12 x 16 inches

Overall: 12 x 28 x 12 inches

Larry Bell, CS 7.2.16F, 2016, Aluminum and silicon monoxide on Arches black paper mounted on canvas

Larry Bell

CS 7.2.16F, 2016

Aluminum and silicon monoxide on Arches black paper mounted on canvas

60 x 40 inches

152.4 x 101.6 cm

ALT="Larry Bell, Untitled, 1968, Glass cube with metal seams"

Larry Bell
Untitled, 1968
Glass cube with metal seams
12 x 12 x 12 inches
30.5 x 30.5 x 30.5 cm

ALT="Larry Bell  TRIOLITH-C (Blush / True Fog) D, 2020  Laminated glass coated with inconel and silicon monoxide"

Larry Bell

TRIOLITH-C (Blush / True Fog) D, 2020

Laminated glass coated with inconel and silicon monoxide

1 Blush panel 16 x 12 inches

2 True Fog triangles 16 x 12 inches each

Overall: 12 x 24 x 16 inches

ALT="Larry Bell, Bay Area Blues, 2018, Laminated Glass"

Larry Bell

Bay Area Blues, 2018

Installation view at Anthony Meier Fine Arts, 2018

Larry Bell, Untitled, Maquette (Poppy / True Fog), 2018, Laminated glass

Larry Bell

Untitled Maquette (Poppy / True Fog), 2018

Laminated glass

Unique

2 panels Poppy glass, 2 panels True Fog glass, each: 12 x 16 x 1/4 inches (30.5 x 40.6 x .6 cm)

2 panels Poppy glass, 2 panels True Fog glass, each: 12 x 8 x 1/4 inches (30.5 x 20.3 x .6 cm)

Overall: 12 x 16 x 16 inches (30.5 x 40.6 x 40.6 cm)

Larry Bell, CS 11.26.16, 2016, Mixed media with aluminum and silicon monoxide on red Hiromi paper mounted on canvas

Larry Bell

CS 11.26.16, 2016

Mixed media with aluminum and silicon monoxide on red Hiromi paper mounted on canvas

60 x 40 inches

152.4 x 101.6 cm

ALT="Larry Bell  UNTITLED COATED SS (Turquoise), 2020  Laminated glass coated with inconel and silicon monoxide"

Larry Bell

UNTITLED COATED SS (Turquoise), 2020

Laminated glass coated with inconel and silicon monoxide

4 panels Turquoise glass 12 x 16 x 1/4 inches

4 panels Turquoise glass 12 x 8 x 1/4 inches

Overall: 16 x 16 x 12 inches

ALT="Larry Bell, Installation view of Pacific Red (V), 2017, Five laminated glass cubes"

Larry Bell

Pacific Red (V), 2017

Installation view: Whitney Museum of Art, New York, NY

ALT="Larry Bell, My Waters Rest, 2019, Mixed media gilded with 24 karat gold leaf"

Larry Bell

TRIOLITH-C (Sea Salt / Lagoon) A, 2020
Laminated glass coated with inconel and silicon monoxide
12 x 12 inch Sea Salt Rectangle, 2 12 x 12 inch Lagoon Triangles
Overall: 12 x 24 x 12 inches

ALT="Larry Bell  UNTITLED COATED SS (Optimum White / Blush / Black / True Fog / Emerald / Sand), 2020  Laminated glass coated with inconel and silicon monoxide"

Larry Bell

UNTITLED COATED SS (Optimum White / Blush / Black / True Fog / Emerald / Sand), 2020

Laminated glass coated with inconel and silicon monoxide

1 panel Optimum white, 1 panel Black, 1 panel Blush, 1 panel True Fog each 12 x 16 x 1/4 inches

2 panels Sand, 1 panel Emerald, 1 panel Blush each 12 x 8 x 1/4 inches

Overall: 16 x 16 x 12 inches

Larry Bell, Untitled Maquette (True Sea Salt / Kelp), 2018, Laminated glass

Larry Bell

Untitled Maquette (True Sea Salt / Kelp), 2018

Laminated glass

Unique

4 panels True Sea Salt glass, each: 12 x 16 x 1/4 inches (30.5 x 40.6 x .6 cm)

4 panels Kelp glass, each: 12 x 8 x 1/4 inches (30.5 x 20.3 x .6 cm)

Overall: 12 x 16 x 16 inches (30.5 x 40.6 x 40.6 cm)

Larry Bell, CS 7.3.16B, 2016, Aluminum and silicon monoxide on Arches black paper mounted on canvas

Larry Bell

CS 7.3.16B, 2016

Aluminum and silicon monoxide on Arches black paper mounted on canvas

60 x 40 inches

152.4 x 101.6 cm

ALT="Larry Bell, Installation view of Larry Bell: Time Machines, 2018, Four laminated glass cubes"

Larry Bell

Installation view: "Larry Bell: Time Machines", 2018

Institute of Contemporary Art, Miami, FL

Biography

Larry Bell lives and works in Taos, NM, and Venice, CA. Bell attended the Chouinard Art Institute in Los Angeles, CA, from 1957 to 1959. Bell is a recipient of multiple recognitions, among them the Governor’s Award for Excellence and Achievement in the Arts, Santa Fe, NM (1990); the Guggenheim Fellowship (1970); and grants from the Copley Foundation (1962) and the National Endowment for the Arts (1975).

 

Bell has had solo exhibitions at such institutions as the Albuquerque Museum, Albuquerque, NM; Boulder Museum of Contemporary Art, Boulder, CO; Carré d’Art Musée d’art Contemporain de Nimes, France; The Chinati Foundation, Marfa, TX; Denver Art Museum, Denver, CO; Fort Worth Art Museum, Fort Worth, TX; Institute of Contemporary Art, Miami, FL; Laguna Art Museum, Laguna Beach, CA; Musée d’Art Contemporain, Lyon, France; Museum of Contemporary Art, Los Angeles, CA; Oakland Museum, Oakland, CA; Pasadena Art Museum, Pasadena, CA; and The Harwood Museum of Art, Taos, NM.

 

Group exhibitions include Light & Space, Copenhagen Contemporary, Copenhagen, Denmark, 2021; The Paradox of Stillness: Art, Object, and Performance, Walker Art Center,  Minneapolis MN, 2021; Beyond the light of the East and West, Korean Cultural Center, Los Angeles, CA, 2020; Stronger Than Language, Hauser & Wirth, St. Moritz, Switzerland, 2020; Bright | Shiny, Anthony Meier Fine Arts, San Francisco, CA, 2019; Closer Look: Intimate Scale Sculpture from the Permanent Collection, Orange County Museum of Art, Santa Ana, CA, 2019; Sculpture Garden, New Orleans Museum of Art, New Orleans, LA, 2019; Larry Bell, Craig Kauffman, Peter Voulkos, Frank Lloyd Gallery, Santa Monica, CA; Shape Shifters, Hayward Gallery London, London, UK; Taos 1960’s - Present, Vivian Horan Fine Art, New York, NY, 2018; Seeking Stillness, Museum of Fine Arts Boston, 2017; Whitney Biennial, Whitney Museum of American Art, New York, 2017; Continuum: Light, Space & Time, The Harwood Museum of Art, Taos, NM, 2016; Phenomenal, Museum of Contemporary Art, San Diego, CA, 2011; Geometric Abstraction and Minimalism in America, Solomon R. Guggenheim Museum, New York, 1989; Larry Bell, Robert Irwin, Doug Wheeler, Tate Britain, London, 1970; 11 Los Angeles Artists, Hayward Gallery, London, 1971.

 

Selected public collections include The Anderson Collection of Stanford University, Stanford, CA; Art Institute of Chicago; Centre Georges Pompidou, Paris; Corning Museum of Glass, Corning, NY; Solomon R. Guggenheim Museum, New York; The Harwood Museum of Art, Taos, NM; Hirshhorn Museum & Sculpture Garden, Smithsonian Institution, Washington, DC; Los Angeles County Museum of Art, Los Angeles; Museum of Contemporary Art, Los Angeles; Museum of Modern Art, New York; National Collection of Fine Arts, Smithsonian Institute, Washington, DC; San Francisco Museum of Modern Art; Tate Gallery, London; Walker Art Center, Minneapolis, MN; and Whitney Museum of American Art, New York.